Album: Liveforms
Year: 2012
Label: Signifer / Aliens Production
Genre: Ambient, Electronic
Website: www.signiferonline.com
Basics:
"Liveforms" is the new album from Oxyd, whom you may know under their other moniker Disharmony. According to the press release, this is a collection of live recordings, which would explain the name, although I'm not sure what exactly that means as this does not sound like a "live" album, per say (and honestly, that's a good thing). All the tracks flow into one another as you would expect in a live set. I'm not really familiar with this project, but I do have some knowledge of Aliens Production. One important thing about this album: for whatever reason it seems to be billed as an IDM album; don't be fooled, it's actually almost completely ambient with very little beatwork.
Good stuff:
+ This album carries that "Aliens Production" sound, for lack of a better descriptor. What I mean by that is it sounds very big, digital, and synth heavy. "Liveforms" is an ambient album, and as such it employs a lot of organic textures and sounds (bells, choirs, chanting) which "feel" organic yet "sound" digital, if that makes sense. I guess the closest analogy would be a computer simulation of a forest or a temple - a futuristic, synthetic simulacrum of an ancient place. This album has an extremely vivid dreamy feel to it, as if you're traversing alien forests coalesced from fragments of your deepest thoughts. There is no singular place or time that it takes you to, rather it feels like a collection of many things blending into something oddly familiar yet creepily alien. As a reference I would say more (inverted) psybient or stuff like Future Sound of London rather than the typical "dark ambient" we generally cover.
Bad stuff:
- The main flaw is that occasionally this album feels overly compressed/limited, which is a big detriment to ambient music. This kind of stuff really should not be IN YOUR FACE ALL THE TIME. 'Aura' is a big offender, as there are annoyingly noticeable points where every element is fighting for space in the mix. Any time there is percussion this squashing seems to be a problem, since they seem to be of the mindset that drums need to be louder than all else - it's ok to have percussive elements be quiet or slightly obscured by other things, I promise.
Summary:
A solid ambient album if you are looking for something complex and otherworldly. If a Solar Fields album got corrupted by darkness and a legion of hooded priests, this is what you'd get. Solar Fields' "Movements" + Raison's "Enthraled By The Wind of Lonelienes" anyone? This has made me want to go back and check out some of their previous work.

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